Ã山ǿ¼é

Skip to content
Contact Ã山ǿ¼é

The show(s) must go on: How Ã山ǿ¼é Theatre is safely performing through a pandemic 

September 29, 2020

Theatre majors Eve Pigman '23 and Kyle Burgess '21 were preparing to return to campus for rehearsals of the department's spring musical,ÌýLittle Shop of Horrors, when Ã山ǿ¼é announced Spring Break would be extended because of COVID-19. "I was like, 'What does that mean for our show? Are our rehearsals going to be extended?'" Pigman recalled.ÌýÌý

Students rehearse for Songs for a New WorldStudents rehearse for Songs for a New WorldUncertainty turned to heartbreak as they learned their production and theÌýall-female,Ìýstudent-directedÌýshowÌýEclipsed, just days from opening, would not see the stage.ÌýÌý

"It was gone like that," said Pigman. "We just got an email, and it was gone."Ìý

"I cried for two hours. I was devastated," added Burgess. "It was the same day Broadway announced that they were on a shutdown for COVID, and that devastated me as well because that's kind of like my dream, to go to Broadway and audition."Ìý

"To add to the difficulty of it, we weren't really there to hug them and tell them it was OK," explained Eric Altheide, Associate Professor of Theatre.ÌýÌý

"It was the right choice, but that came with a very steep cost," said Burgess. "We were all hurt."ÌýÌý

Which is why he and Pigman were hesitant to get their hopes up this fall. Though they longed to return to the Performance Center,Ìýwith universities canceling productions for the semester-and, in some cases, the entire year-they knew more disappointment was possible.ÌýÌý

Providing a "light"

While they waited for a decision, Altheide and Elliot Wasserman, Chair of Ã山ǿ¼é's Theatre Department, got creative.ÌýÌý

Eric Altheide directs rehearsal of Songs for a New World wearing a mask and face shield"We tried to figure out different approaches," Wasserman said. "I tried to brainstorm plays where actors in masks could fit within the metaphor of the show, the concept of the show."ÌýÌý

They even considered adding masks to productionsÌýwithoutÌýan obvious connection. "Theatre reflects life, and this is the way we live now," added Wasserman. "But that is not a very satisfying theatrical formula for every show."ÌýÌý

After much consideration, and with support from Dr. James Beeby, Dean of the College of Liberal Arts, and Dr. Mohammed Khayum, Provost, the directors ultimately moved forward with two productions, replacing the shows they'd selected before the pandemic with options that more easily cater to the current restrictions-Songs for a New WorldÌýandÌýIt's a Wonderful Life: A Radio Play.ÌýÌý

Both Burgess and Pigman, who'd been understudies inÌýLittle Shop of Horrors, eagerly auditioned forÌýSongsÌýfor a New World, a musical medley or "song cycle" with just four acting roles; the radio play has six. "When the cast list came out [and I learned I would be in the production], I was just elated," recalled Burgess. "I was in my kitchen eating lunch, and I jumped up and down like a kid on Christmas."ÌýÌý

PigmanÌýlearned of her casting alongside her roommate,Ìýwho is also her understudy; they'reÌýenjoying the "light" theatre is providing at the end of a tunnel darkened by COVID-19. "I think they [Wasserman and Altheide] knew that it would help our mental health to be able to be part of a show, because not having anything, I think, would make it feel very bleak," said Pigman.Ìý

Coming together and staying apart

Altheide choseÌýSongs for a New WorldÌýpartlyÌýbecause of its small cast, but it's hopeful theme also resonated. "After the spring lockdown, hearing the music and the way the words spoke to me, I chose it because I wanted it to be 'of this time,'" he said.ÌýÌý

Kyle Burgess rehearses Songs for a New World

"The first line I sing in the very opening is, 'A new world calls across the ocean,'" explained Pigman. "That line is so relevant to me, because right now I think we're in a brand-new world, everything is shifting, we don't know how long it'll be …. It is talking about a new world, but it's also a big show about unity and coming together."ÌýÌýÌý

As they figuratively unite, actors are literally keeping their distance.ÌýFor weeks, typical four-hour,Ìýfull-castÌýrehearsals morphed into 45-minute individual or smaller group sessions with 15- to 20-minute breaks so everyone couldÌýclear the room. Students wearÌýspecial "singing masks"ÌýandÌýlimit instances in which theyÌýcross each otherÌýon and offÌýstage.Ìý"I don't want this to be the process for the rest of our lives, but it hasn't been as limiting and odd as I would have assumed that it would be," said Altheide.Ìý

Live audiences are on hold during the Fall Semester, so performances will be pre-recorded for paid, ticketed online viewing, with theatre students operating the cameras-another first.ÌýSongs for a New World, which runs aboutÌý90 minutes,Ìýwill be recorded three times, then edited together. "It allowsÌýthe actorsÌýtoÌýperform without masksÌý[because they are distanced from each other and]Ìýwe can stop in between songs, put the masks back on and follow the same timing protocols that we did during rehearsals," Altheide explained.Ìý"Actors will put their masks on as soon as a number ends and remain masked until their next number."Ìý

Challenges and opportunities

Rebecca Lutton, Managing and Marketing Director of Ã山ǿ¼é Theatre, is navigating the increased licensing and copyright issues involvedÌýin the recording and broadcasting process. "Before, we couldn't record [performances] at all, so we couldn't show the [prospective] students exactly what we were doing," said Lutton. "This will hopefully have a good impact on recruiting."Ìý

Eve Pigman rehearses for Songs for a New World

The recorded shows could also prove useful for current students applying to graduate schools or for jobs, allowingÌýinstructorsÌýand employers to see their work more easily. And, students' family and friends who couldn't ordinarily travel to Ã山ǿ¼é to watch a live performance can now watch from home.ÌýÌý

No one can disputeÌýthatÌýchallenges abound amidst the pandemic. But as Ã山ǿ¼é Theatre is proving, so too, do opportunities.ÌýÌý

"Anytime you get a fresh set of challenges that push you outside your comfort zone andÌýforce you to innovate and try new things, you can always make something positive out of that," said Wasserman.Ìý"We can't solve COVID; we don't have that kind of expertise. But we perform a very vital service to our culture, and we're going to continue to do that, to find ways to do that. Our program is just one small cog in the larger machine, but be assured, our cog is going to turn."Ìý

Pigman and Burgess are justÌýexcited-andÌýrelieved-to once again be working on their craftÌýand creating new memories.Ìý

"It is definitely different with masks, but it doesn't really matter to me. As long as I'm doing theatre and something that I love, I would not have it any other way," said Burgess. "I feel fortunate to still be doing what I love with the people that I love."

Ã山ǿ¼é Theatre Fall SeasonÌýInformationÌýÌý
Ìý
Songs for a New WorldÌý
Ìý
Video premieres October 8, 2020Ìý
Available through September 30, 2021Ìý
Online ticketing informationÌýÌý

Ìý
Music and Lyrics by Jason Robert BrownÌý
Directed by Eric AltheideÌý
Ìý
Cast: Kyle Burgess, Nate Jenkins,ÌýPerciÌýHale, Daniel Moser, Kyle Meunier, Danye Faust, Eve Pigman, Samantha Stevens, Clare McGregorÌý

It's a Wonderful Life: A Radio PlayÌý
Ìý
Video premiere date TBDÌý
Online ticketing information TBDÌý
Ìý
By Joe LandryÌý
Directed by Elliot WassermanÌý

Cast:ÌýTrevor Maxey, Noah Stiles, Grace Koltz, Samantha Stevens, Easton Crisp, Nate Jenkins, Noah Harrison,ÌýKirsten Rude

Ìý

Recent Stories